With a name that tests autocorrect, and a dark irreverence that also apparently tests autocorrect (not 'irrelevance'—for the last time), radhika's comedy reflects upon moral hazards and social and personal contradictions—from trans issues to trams politics, from automation to procrastination, from aging to barely managing—and has been variously described as, 'sophisticated', 'high-brow', 'still funny though', 'what?', and, most importantly, by autocorrect: 'irrelevant'.

AWARDS